The Pergola of Composition

  The Pergola of Composition

“There is also a setting of Horace’s Ode ‘Persicos odi puer

apparatus,’ for A.T.B.B. ‘written in school [Eton College] ,

February 22, 1865’ ”. ~ Emily Daymond, 77

As strange as ancient Persia might have seemed

To sixteen-year-old Parry (strange as odes

In Latin), only something must have gleamed

Out from the lines of Horace.  (Verse explodes

In minds of boys.)  Perhaps he liked restraint

While others loved extravagance and plush

Surroundings, purity without the taint

Of tastelessness, the classic, not the gush

Of decoration, overstatement or

Embroidered velvet—just harmonic lines

Of music twined together in a score,

And nothing of exotic sveldt designs.

..Tied grapes in green along the frame above

…..A poet—they provide enough to love.

I hate Persian furnishments, boy,
wreaths twined around the lime-trees displease.
Cease from seeking the places where
the late rose fades.Add nothing to the simple myrtle,
I beg, though you are eager: it is not unsuitable for you,
my servant, nor me, [as I sit] beneath the tied
vines, drinking.
Persicōs ōdī, puer, apparātūs,
displicent nexae philyrā corōnae,
mitte sectārī, rosa quō locōrum
sēra morētur.Simplicī myrtō nihil adlabōrēs
sēdulus, cūrō: neque tē ministrum
dēdecet myrtus neque mē sub artā
vīte bibentem.
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This poem is part of a shorter sonnet sequence within this large sonnet sequence called The Encyclopedia Sonnetica.  The shorter sonnet sequence is called “A Lively Hope.”  I recommend you read this poem where it is set in its sonnet sequence.  To do that, search for “A Lively Hope” here in The Encyclopedia Sonnetica, or you may see an illustrated version the entire shorter sequence at
https://classicalpoets.org/wp-content/uploads/2018/02/A-Lively-Hope.pdf 
where it was first published.