Less is More:  A Sonnet Sequence about Profoundly Paunchy Poetry as Opposed to Perfect Poetry

Less is More:  A Sonnet Sequence about Profoundly Paunchy Poetry as Opposed to Perfect Poetry

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   “Flower in the Crannied Wall” ~ Alfred, Lord Tennyson

That a long poem is a flat contradiction in terms,” has excited the opposition of some critics, and with apparent reason; and yet on the whole it is surely better that such a notion should obtain among literary aspirants than the old one, which I am sorry to say is still current, that no poem can be termed great that is not a long one. ” ~ Joseph Skipsey writing about the thoughts of Edgar Allen Poe.

Mocking Epics; and The Point of Whopping Poems

When skirmish turns to battle, turns to war,

When chieftain turns to monarch, wide-winged king,

When poetry becomes an epic, more,

A saga, legend, armored myth . . . lyres sing

Of petty princes, petty fighters like

Odysseus, Achilles and their ilk.

A Homer makes a great big deal of pike

Through eyeball. The intention is to bilk

Some royal court that’s hearing lines in Greece

Or Wales–wherever.  Sitting on a throne

The listener who matters is obese

With pride, requiring verse that’s overblown.

  A perfect sonnet wouldn’t do these guys.

    Their worth must be inflated in their eyes.

Epic Similes: Mini Cosmoses

‘Why did the whole Greek world exult over the combat scenes in the Iliad?’ asks Friedrich

Nietzsche. We modern readers do not even begin to understand them ‘in a sufficiently

“Greek” manner’. If we understood them in Greek, ‘we should shudder’. Nietzsche does not

mean in the Greek language but in the Greek spirit. Whoever reads the Iliad … has to come

to terms with the profound ‘otherness’ of one of the very traditions which lie at the root of

ours.” ~ Michael Schmidt, The First Poets, 17

The many mustered people working on

The efforts of the Allies’ war against

The Axis powers (that toxic trilithon)

Were not enough, though hugely well fornenst

To win the war without the tiny groups

Who sparked the strongest wins, those Bletchly Park,

Manhattan Project boffins, thinkers troupes

Of minds.  The meaning, therefore, harshly stark,

Hulks large:  small matters matter.  Some might write

An epic, long and long, but smaller parts

Of it are better than the whole.  The light

Of stars outshines dark space’s pallest parts.

  The shining similes of Homer’s vast

    Works save his wholes, though epics leave aghast.

Sonnets as Synechdoche

Let’s choose a Shakespeare sonnet out of all

One fifty-four, pick out with tasteful eyes

From that long sequence.  Might it not appall?

It looms with clever human need, witty and wise.

(One reader is too easily appalled.)

Then scholars scrape around in sonnets yonks

And yonks, deep intellects completely stalled

In working out the poems’ meanings.  Bronx

Cheers greet interpretations till at last

An academic finds the key to tell

Us what the stanzas’ puzzle says.  It’s vast

And fun, this sequence, plenty to compel.

  Some people sneer at sonnets, yet they win.

    In light of this, most epics seem too thin.

    “She Walks in Beauty”

“Where Delos rose”

I’d sink the whole of Homer for a song

By Keats, except the similes inside

The Iliad, those little bits.  Too long

The epic, but the lovely “silent bride

of quietness” and Keats’s “foster-child

Of silence and slow time” prove lyrics in

The realm of poetry wait undefiled

Against the bloated epics.  They are sin

Contrasted with the caged, strict shortness of

The purities of Thomas, Shelley, Keats

And Shakespeare lyrics.  Let the ones who love

Long poems nuzzle up and suck those teats.

  I read an epic three times.  That was quite

    Enough.  The heft of epics is their blight.

   “all evil shed away”

Slough off the minds that hate high lyrics.  Send

Them to the depths, say, Mariana Trench.

Such critics condescend.  Instead, ascend

To glories far away from stupid stench

Of brainless ignorance.  Uphold perfumes

From perfect poems far away from bloats

Of epic bellies belching from the tombs

Of fester spheres.  Allow the long-loved notes

Of ever-living, ever-singing lines.

Allow the poets of those words to sing

Despite that sneering.  Heart-embrace designs

Much briefer, soaring up on skylark wing.

  All hail to thee, blythe spirits, in your quest

    For consummate short poetry, the best.

       Epic Schmepic

 

To see a World in a Grain of Sand

And a Heaven in a Wild Flower,

Hold Infinity in the palm of your hand

And Eternity in an hour. ~ William Blake

The scales of sonnets and of haiku tempt

Some readers to reject the smaller forms

As less imposing, holding in contempt

The tiny ones, implying that the storms

Around our sun are more important than

Tornados in the human heart.  In Greece

The breakthrough came.  Greece noted that a man

Is “measure of all things.”  Far too obese

The epic poems tend to be.  A night

Inside a haiku can contain high fire,

Sky, sea, an island and a zooming flight

Up past the Milky Way through man’s desire.

  The sonnet, only small in lines and rhyme,

    Discovers depth’s eternity in time.

Phillip Whidden