“All Too Short a Date”: A Sonnet Sequence about Peonies
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1 Peonies, Agamemnon, and the Iliad
The peonies hold on in night-time dark.
They fade and slacken to another kind
Of loveliness. They do not know the stark
Fate bearing down on them. Their pinks are blind,
As blind as Homer in the palace of
A king condemned by earthquake, singing still.
What matter death and blindness? Still above
Them are the song and petals with a frill.
A night or tremor will destroy the king,
His royal keep, and petals. They all fall.
Yet now, just now, the petals will not wing
Their way to dirt. Death’s silence won’t appall
The song yet. It lives on across the years,
Allied with life and music of the spheres.
………………………………Dying peony
2 Easter Peonies
Pink peonies are dying. Only those
Most hidden in the shades from one near bush
Hold on to sturdy hope, to lingering rose
Determination not to wilt. These push
With frilled resistance, blowse-like guimpes, against
That insubstantial thing called death. They take
The final stand, their beauty more condensed
Than ever now that they, frills and all, make
Ultimate decisions not to die. Yet
They will. And, yes, their flimsiness full well
Discerns their fate and this is why they get
Their seed pods ready near their hearts to swell
Up later into life, hearts darker pink,
So dark, so deep that it can never sink.
3 Sheer Vanity
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It isn’t just a little happy face,
This flower, though fat and happy this one is.
Because of gorgeousness and grinning grace,
It glories in its cheerfulness. “Gee Whiz!”
It gurgles with its prettiness. “Ain’t I
The sauciest girl your garden’s ever seen?
There isn’t any room for you to sigh
Like some pathetic poet. I’m the queen
Of frilly fun! Come on! Don’t you agree?”
He finds that he can only laugh and smirk
At cheekiness’s silly filigree,
“She’s such an egocentric piece of work!”
..He has a troubled thought, but, with a pause,
….He snips with sheers and puts her in a vase.
4 Embracing Dooms for His Regret
The peonies’ white petals fallen on
The garden ground instruct these two
To part. The period for their love has gone.
Just one of them attempts a passage through
The muted condemnation of the flowers.
The other turns his face away and turns
Toward a gate they did not enter. Powers
Above them hinder. Still the other yearns.
The one walks through the passage to a yet
More troubled maze with foreign mountain heights
And walls like cliffs. The alpine paths regret
No losses left, diverting from love’s rites.
..These other highlands and their city hide
….The sobbing arms. Snares open to his stride.
5 Red Peony Petals Fallen on a White Windowsill
The fallen red lies still as it is weak
And strong. The petals lie as still as prayer
By Buddha in serenity. A Greek
Simplicity is called to mind. An air
Of Classicism rules the scene, restrained.
Yet scarlet does not lend itself to calm.
Romanticism enters hotly stained.
We sense a spiritual upraised palm
Containing both Nirvana in the Buddha’s hand
And nail holes bleeding from a cross. At peace
The petals of the peony are bland,
Because of death, but not. Divisions cease.
..A marble statue wearing only white
….Contains inside it carmine candlelight.
6 Rectitude and Beauty
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Matthew 6:28
The ant, a Puritan in black, moves right
Across the petal’s purity. The black
One works, works, works. The righteous worker, quite
The upright activist, upholds the knack
To do good stuff. The peony instead
Toils not nor spins. It meditates in white
And gold, both gold and white its peaceful spread,
Its innocence mild white, lacking-sin white.
The petals do not know what wrong is and
Surround a heart of gold. The white and gold
Are rich and everything of good. Bland
Black uprightness shouts righteousness like mold.
..No righteousness composed of work can place
….Itself as right against white works of grace.
7 Milele in His Temple
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The Beijing cat, a silvery chevron on
His head, between his ears, in fur as white
As whitest peony, the chevron drawn
As Chinese artists with a flourish might
Produce with conjuring brush, paraded round
His Beijing flat. His white-furred tail brushed past
Bouquets of blossoms not as quite profound
As whitest lilies and carnations massed
In decorated vases with designs
Of beauty such as peonies. The screens
Were gold and orange. They made the perfect shrines
For him, Milele. One of them had scenes
With long-legged cranes to give him longer time
In life. Their several lovelinesses rhyme.
8 Ten Nine Eight Seven Six Five Four Three Two One Ignition Blast Up
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The cushion launch pads of the leaves and stems
Of bushes’ light up buds and buds—and each
Desires to open out its petaled gems.
This one is in its count down now to reach
Out, up, and full…and when it does, the skies
Will envy it because it aims to send
Out highest colors larger than its size.
It wants to send out auras and to spend
Them like auroras borealis wide
And waving, holy; also like the arc
Of rainbow bands aspiring in their stride
Pastel but powering on to make their mark.
..Pale gorgeousness transparent is the aim
….Like pride’s perfume. Young blossoms lay their claim.
9 Unfathomable in Meditation
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The peony made
Him measure it with his fan,
The daimyo’s fan.
~ Issa
[A haiku expanded by Phillip Whidden]
Some things are large. Some things are larger yet.
One peony is glorious yet small.
Arrange it in a vase, in a duet,
With yet another flawless one, a tall
One on a longer stem, perfection grows.
Another is so huge it strains belief
Until an Oriental fan’s length shows
No doubt of doubled elegance. A sheaf
Of blossoms magnifies perfection still
Again. Above them through a window frame
The Milky Way sends out a starry frill
Across a vaster sky, a star-strewn flame.
..Beyond the peonies and stars aligned
…..Are depths and heights too large for all but mind.
10 Insights
The pint-sized Jamie held his arms out wide
To show how big the peony had spread
Those petals. “Big like this!” he smiled. He tried
Hyperbole the first time. He had shed
Mere factuality for larger truth.
Young Yank, he aimed for optimism’s strength.
He opted not to settle for uncouth
Litote. Jamie used the largest length
His arms could muster to imply what hearts
Knew better than a ruler ever could.
He knew what all the bestest sober charts
Could never do. He bestest understood.
..He opened arms. He wanted to embrace
….The longest truths, as grinning as his face.
11 White Petals and Yellow Pollen
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This, then, the open face we wish that we
Could see throughout the universe, the pure,
The innocence are utter. We would see
These everywhere, and use them as the cure
To threat of evil and of suffering.
The cleanest white of whites, a yellow, clear
As new cut diamonds, each buffering
Us everyone from pain, without the blear
Of slaughter everywhere. A clearer gold
Like heaven’s holy streets this yellow shows
The way to. Yellow like this wants to scold
Away the negatives. Perfection glows.
..We witness creatures killing creatures, though,
….Uncountable the piling up of woe.
12 Withered Chances
When just a boy, he broke the beauty, broke
A peony. Then later, decades on
He still remembered how he felt the choke
Of anger like the pain a marathon
Participant endures when he sustained
His father’s wrath. It rankled still beyond
Just years. Much longer than that race, it stained
His memories of the man despite the fond
Ways Papa would have treated him in love
So many times the growing boy forgot,
Most probably. They should have been above
The sadder souvenir, that one-time blot.
..But now the older man is dead, the wan
….Heart wishes that the grudge had been withdrawn.
13 Sotōba’s “bijin” Applied Not to a Perfect Confucian Man
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The peony adorns the bed, a piece
Of heaven settled down in earth. The blooms
Themselves are heaven. They are summer’s lease
Paid out by God and planted with the plumes
Of angel’s wings above the border, stems
And leaves, and all of these above the soil.
Dichotomies do not prevail. The gems
Of petals, pistils, stamens do not toil
The way we gardeners do. A man who views
A woman, beautiful though she may be,
Still knows that she could never quite suffuse
The scene with so much splendor. God’s decree
Has made the blossoms so. Archangels bowed
Their feathers, opened buds by heaven endowed.
14 Exquisite Conflation
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The peony, extravagant in red
Vermilion pigment dug from underground,
Is so extreme it is as if it bled,
This flower, from hell and shockingly is gowned
In paradoxic beauty. It is now
As if bright devils dance above the green
Of life. The pain from hell below should not allow
Such opulence in blooms, almost obscene
Exuberance. Their mouths spit out a heat
Of molten gold and copper mixed, a flow
Which well explains the contradicting suite
Of colors, perfect for agony’s glow.
..When beauty is flamboyant like this,
….It naturally combines both ache and bliss.
15 Dual Supplication against Death
The flower burns its whitest white but not
Alone. Beside it in the window glows
A candle in the evening air so taut
The flame burns on without a flicker. Those
Who know the truth can see that light is light
In spirit even when the burning shines
From petals and not fire. Before the night
Became too dark, the peony sent signs
Of glory to the gods it worships. They
Have now replied in darker time with strength
To let it shed its aura slowly. Splay
Of holiness is given lunar length.
..It prays beyond the candle pyre. Each calms,
….Does not compete, while making Buddhist psalms.
16 Virginal
In dusk of night the moon begins to rise.
Enough of it invades the garden with
The light the peony desires. The wise
One there succumbs to Oriental myth
And spreads white petals even further to
Embrace the gift the heavens offer. White
Adheres to white. Though mild, the beams shine through
The flower’s softness. Beauty comes in sleight
Of lunar hands. The dusk then turns to dark.
The blossom wakes to night time love, to love
So gentle that, though piercing, leaves its mark
On top and through while thralling from above.
..The pallor of the moon is drawn in deep
.…But first it was espoused in twilight sleep.
17 Vicars of Esthetics
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Triangular like God the flowers are shown
Against a boring green of lawn. Arrayed
In righteous revelation now full blown
Their holiness of beauty spreads, displayed
Like perfect white’s epiphany. The saints
Of every Trinitarian belief
Search carefully to see if there are taints
In them, and then adore them like O’Keefe
When purity is proved. From other creeds,
The Sufis, Jews, the Hindus, pagans, lose
Their holy men, saved abbots counting beads
Before this triune scene. None can refuse.
..This floral sanctity makes neck and knee
….To bend before the solemn, sacred three.
18 No Divisions
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Tokonama no
Botan no yami ya
Hototogisu
~ Shiki
The darkness of the alcove
Where the peonies are;
A hototogisu sings.
Arrangement versus nature in the mind
Shifts. Peonies are placed together in
A tokonama space. Aligned they are
In art and yet the difference is thin
Between their nature, vase, and artist’s aim,
Transparent, clearer than the walls of white,
Of rice divides. The artful work to tame
The elements of nature leaves just slight
Distinctions in between the blooms, the wood,
And walls…and then floats in the liquid song
Of one slight bird through whitest walls that stood
Between the bird and blossoms. What is strong
Here? It is unity, transcendental
Enlightenment, almost sacramental.
Japan’s Heart and Culture: Tokonoma Peony Tokonoma of Chashitsu.jpg
19 Peace that Passeth Understanding
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So no kuraki
yo woshizuka naru
botan kana
The garden is dark
In the night, and quiet
The peony.
~ Shirao
The garden, dark with night, does not expect
A visitation. Petal stillness waits
For nothing. Waits. No special Buddhist sect
Is known to worship peonies in states
Of meditation in the moon’s hushed hours.
No normal pilgrims will step out from rooms
Of paper walls of rice to view the flowers
Since silence fills the shrine. The frills of blooms
Expect a peaceful set of dreams without
Disturbance, so the bushes settle in
For restfulness, their blossoms, leaving doubt
Behind, decide tonight will see no sin
Against an abbot’s contemplation. Quite
The opposite . . . they settle in their white.
20 A Calm Antarctic in May
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The stillness matters. Quietude prevails
The way a frozen king upon a frost
Throne reigns across a frozen ocean, sails
Of icebergs also in his realm embossed
With glaciers along its land. The white
And pink of peonies wait silently
For garden visitors to come. The blight
Of loudness, wind, and storm violently
To ruin peace are charged to stay away
Until the ladies come to view the blooms.
High walls and hedges hold the still display
Inviolate inside the garden rooms..
..The guests do not consider this, so dazed
….With beauty’s silence, like ice ponds, amazed.
21 Coco Chanel Just Didn’t Get It, Did She?
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The peonies grow larger as they move
Towards death. They grow as blowsy as a whore
Dressed up for some man’s fantasy. They prove
That like Elijah mortal things can soar
To beauty. Blowsiness can be as frilled
And crimped as Coco in her nightmares would
Have hated on her catwalk. Being killed
Has bounties in it. They have understood
That widening their petals as they wilt
Can make them like creations made by John
Galliano. Dying can shine like gilt
On flounced embroidery, more like a dawn.
..They grow more ample like a fan. They spill.
….This operatic beauty is calm thrill.
22 Royalty and Commoners as One
When peony perfection is upon
Us, strong protection pulses out from them.
Their petals send out messages. The dawn
Of something quite so beautiful as hem,
And skirt, and petticoats of flowers such
As these is matched by spirit signals from
The flowers saying pinkly, “Do not touch
Us with rude rainstorms. Do not let some
Hail dropping cloud be sent our way or cloud
Of thunder come too near us with its weight.
Forbid the sky, its crushing lightning loud,
With its destruction. Save us from that fate.”
..When peonies, perfection, are around,
….We pray, “Let beauty stay with pinkness crowned.”
23 Tulip Eclipse
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When peonies erupt, they look like bombs
Of lava made of petals, pinks and whites,
Hurled up in mid-May air, or more like psalms
Performed by creatures singing in spring’s flights
Of angels through a cosmos made complete
With petals, petals smiling, not just petals though
Since at the hearts of peonies is heat
Of orangey yellow anthers with the glow
Of saffron. Beauty is so total there
That other blossoms disappear, are grayed
Out into nothing like the fatal prayer
An atheist might mumble in death’s shade.
..The peonies are prettier than girls
….And wives, more like a mistress’s minx curls.
24 Circumstantially Separated from Satori
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The blossoms hidden by the hedge in dark
Of mid-May twilight still are seen from where
I sit. Their perfect pink is light, shines stark
Against the dowsing caused by evening, their
Intensity so bright they seem to make
A source of light themselves, as if the sun
Now disappearing and the coming ache
Of moon are not required for them to stun.
Poor people passing on the other side
Beyond the hedge are blocked out by this chance
Arrangement, accidentally denied
Epiphany by yew-green circumstance.
..The glory of the glowing petals still
….Is true. Veiled truth is sweetly, softly shrill.
25 Colors Truer than Truth
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Not veiled and partly veiled, completely veiled,
The peonies are like a perfect prayer,
Perhaps one to the Trinity. Exhaled
In reverence the pretty petals there
So near the acer leaves send out the pleas.
And who could possibly say, “No”? No Christ
Could turn his holy back or heart on these.
They offer all a transcendental tryst
With frilliness. Their pink and almost pink
With blue in tingeing is eternity. . .
Or maybe not quite that. They make us think
. @pixaby
Like Gautama and his fraternity.
The only part of this that is most true
Is pinkness, blue, and pinkness touched with blue.
26 God, the Father, is Different
from his Son and the Holy Ghost
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Two peonies, a couple, side by side,
One larger, lighter (that’s except its heart),
The other made of heartbreak in its wide
And darker oval, beauty like a dart
To harm us, both are perfect in their ways,
A paradox. If one is perfect in
Its shape and frilliness and can amaze
Us with its style, then can it be a sin
To say the other is perfection, too,
Since it is different? Can a thing ideal
Be matched with an ideal that has more blue
Mixed in with utter pinkness? Can pink steal
Our hearts as perfectly as can the old
One? Sacredness lurks in each different fold.
27 Bel Canto Border
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An opera is going on along
My garden border at the front of my
Spring lawn. The notes from pinking shears are strong
And many shades of pink, of rose, and sly
White petals, sly because the ruffled white
Is pink if looked at reverently. The frills
Are tragic in their beauty. Petals smite
The soul with sanctity. Gorgeousness spills
From peonies with brightest gold and dark
Streaks at their centers. Bumbling bees
Enjoy the opera the most. They lark
About inside those pollen hearts. The frieze
Of Donizetti music is so sad
That its intensity is mauvely glad.
28 Concordant Contradiction
The patience that a peony requires
Is like the quietness of petals bound
In sleep through early spring. That calm inspires
The mildest fragrances and colors found
When waiting petals finally unfold
On breezes later April breathes. Pastel
Perfumes and tints come out from hearts of bold
Red splashes. Ouchly orange stamens yell
With pollen loudly as a silence can
And so tranquillity encloses at
Its core a shouting beauty, too. The span
A peony embraces includes splat
And grace together. Mildness has a flash
Of madness in it as its gaudy cache.
29 Bright Pastel Beatitude
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As darkness deepens in between the hedge
And me, the peonies grow dim but do
Not disappear. They hang just by the edge
Of nothingness. They still shine pinkly through
The dark though almost ghostly now. If I
Took up a flashlight and went out with it,
Attempting to return to daylight’s eye,
They might object, preferring to be lit
By moon and stars. Perhaps the moon were best
Since it, like them, appears but briefly. Wraiths
Them all, the peonies and moon, when pressed
They bow away believing in their faiths,
The faith of sky with night and day, and creed
Of spring, which teach them patiently to cede.
30 Princesses
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Rose peonies in darkness do not lose
Their glories. They become those Persian, veiled,
And silken houris, held in carved screens, whose
Dusked satin beauty is both crimped and waled,
With nature’s pinking shears and golden edge.
Their frilly sleeves and velvet pistils are
Out of place in an ordinary hedge
In England’s night as if a North Sea haar,
Commanded by the potentate called night,
Had hidden them among slight April flowers
To act as starbeam harem guards. Faint light
Permits pale tints to wile away tulle hours.
..They wait in moonlight for the dawn to free
….Them from their dimmed organza modesty.
31 Peony and Fulfillment
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No man has ever done a thing as lush
As this. The stamens and the pistil of
The peony rave out. The yellows gush
Among the petals like the hottest love
A man can give inside a satin bed
But not as opulent in hue as this,
The velvet pollen waiting to be wed
With ravishment of bee tongues pledging bliss.
No woman ever offered man a splurge
Compared to these soft organs. They are pure
And much more innocent their coral urge
Than scientists might find for human cure.
The shock of pink with yellow rushed inside
….Is deeper than the wishing, gaping bride.
32 Peony Piety
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A proper reverence for petals should
Be kept, especially for pink and white
Ones, peonies. Perhaps a veil-like hood
Should be required for viewing these, a rite
For venerating blooms required. A priest
Might ring a rose quartz chime. Small grails (white gold)
Could be deployed in rituals the east
Might forge, stick incense for white smoke be sold
Outside the temples where a samurai
Would take his armor off before he prayed
Before bouquets of white and pink, “Banzai!”
His paean as he set off to invade.
..The Vatican beatifying them
….Might stick in holy water each green stem.
33 Little Tips of Putrefaction on Some Petals
Three leaves fall. The oak seems undiminished
In grandeur. Four peonies are dying
Back in yellow. Brown acorns have finished
Their suicides for life. A hawk, flying
His shiver on the sky, is unconcerned
With symbol, simile and metaphor.
Our squirrels are gone. We think that they were burned
Out last winter by the harshest cold for
Three generations, but we do not know.
The council killed them for some reason that
We haven’t heard about, perhaps. No glow
Can pierce this morning’s mist, so gray and flat.
..Inside, my globe chrysanthemum beside
….The laptop has decided hope has died.
34 Spring Remembers Him
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The garden border just outside my door
Fills up with verve and beauty at this time.
Those feathered pinks of peonies galore
Are weighted down this morning at the prime
Of April, nearly May. Bright weight of rain
Embraces petals in its drops and makes
Them droop with heaviness defying pain.
The slightest tulip breeze caresses, shakes,
And sways the fragile-looking maple leaves.
Their color waves a living nonpareil
Red—red involved with sanctity which grieves
With vernal prettinesses. These prevail.
..A little tree I planted for one man
….Who died now spreads above this flowered span.
~ Phillip Whidden